About UKAI Projects
Work is global. Toronto is home.
We are a Canadian non-profit and collective dedicated to cultural research, material & systems prototyping, and artistic interventions that open curiosity to emerging challenges and volatilities.
Our work is internationally recognized, having worked with partners across Canada, in Egypt, Mexico, Malawi, China, Japan, Switzerland, Germany, Nigeria, Hong Kong, Iceland, and Taiwan.
Culture for what’s coming.
At UKAI Projects, we design critical responses to the present moment as well as coming futures. Our cultural research, collaborations, and productions captivate people because we create invigorating, meaningful context to engage with and encounter the changing world.
Research is our groundwork—our conceptual pulse—that guides our prototypes and artistic interventions. But the intervening art and prototypes give us everything research can’t. Our work is not one without the other: we do both and neither are optional. Adequately doing culture for what’s coming requires reaching into the wisdom of every framework available.
Autonomy & prototyping futures.
We show possible futures so that we might find ways of stepping into them. Between climate damage, societal change, economic anxiety, and erupting conflict—just to name a few—we live in polarizing times where people and communities scramble for diminishing attention and resources. We want other choices. Our work then is to occupy technologies, spaces, and narratives to turn them towards other values. As a result, we then turn over new possibilities once plainly hidden through familiar routine, unchecked rules, or assumed knowledge.
We can only go to where we’re looking. So if it’s new choices and futures we’re hoping for, we look and create broadly now.
Resonant networks of exchange.
Our work is possible and innumerably enriched by the exchange of every person crossing our paths. We connect and lean on an ever-growing network of people across the world and from all walks of life—artists, researchers, writers, designers, dancers, poets, musicians, organizers, supporters, partners, corporate workers, technologists, public sector workers, students, activists, funders, party-goers, performers, technicians, engineers, administrators, scientists, educators, consultants, healers, knowledge keepers, volunteers, planners, and on and on.
We believe in the necessity of polyphony, and our relationships mirror the same. When threads get long, lost, or irrevocably tangled, it is always people that bring resonance in disorder. And our network is more than safe grounding: we know every connection we make and made through us is an exchange that pays forward in time. We don’t know which ideas, paths, and projects that will be born out of the links, whether by us or the wider community. But we do know it’s closer to more futures, more possibilities, different choices.
Community Insights
The Shipwreck project successfully activated our space located on the outskirts of the city of Reykjavík and in an area without a recent history of high-profile exhibitions, transforming it into a vibrant hub of artistic and intellectual activity. The interactive nature of the installations and the open invitation for public participation drew in diverse audiences, including local residents, art enthusiasts, and international visitors. The project’s emphasis on dialogue and engagement allowed for a deeper connection with the artworks, fostering a sense of community and shared purpose.
Shipwreck attracted significant attention from leaders in the local arts scene, who were keen to witness this model of immersive and collaborative art-making in action. This was complemented by coverage on Iceland’s national radio and in print. The project’s unique approach and the quality of the artworks exhibited garnered visits from prominent curators, gallery owners, and cultural policymakers. Their engagement not only validated the project's impact but also highlighted its potential as a model for future art initiatives.
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Martynas Petreikis (IS)
SÍM Residency Director
Samband íslenskramyndlistarmanna SÍM | The Association of Icelandic Visual Artists
As a founding member of the Maitri Platform, I had a chance to work with UKAI in Maitri's earliest days. The COVID-19 pandemic had just been declared and we were all disoriented and unsure about what was to come. Like the rest of us, the team at UKAI had no idea either. But, UKAI did have great ideas about how we might organize ourselves as a global community. Their approach helped us sense check, and find a tentative path forward. Maitri wouldn't be what it is today without UKAI. In the years since, UKAI has stimulated our community to think about head-splitting problems related to algorithmic culture and also raised funds for our humanitarian efforts. We are proud to count UKAI among the organizations that have made the Maitri Platform fertile ground for exploration, discovery, and development of new approaches to humanity's challenges.
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Hannah Bamwerinde (UG)
Founder Adventures With Locals Women and Community Development Through Sustainable Tourism
What sets UKAI apart from others in the AI conversation, is the integrity by which they focus on open access and cultural creation. The former serves to bring a wide and diverse group of people in, encourage AI literacy, and create long-term resources for others to continue learning from. The latter keeps us engaged in the conversation, and shifts the underlying philosophy from one of scarcity of knowledge, to relative and relational abundance. UKAI doesn’t just make gatherings and hold conversations, it builds cultural change.
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Milton Lim (CA)
Artist-in-Resident, Ferment AI
Core Team
Benjamin Lappalainen
XR Development Lead
Luisa Ji
Director, Studio Programming
Husna Farooqui
Communications Lead
Advisory and Governance
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Jerrold McGrath
FOUNDER, DIRECTOR (2017-25)
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Simón Rojas
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Albéric Maillet
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Michael F Bergmann
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Jutta Brendemuhl
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Tristan Sauer
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Kasey Dunn